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Crédit photos -  AC Tarascon




Last reigning Prince of the House of Anjou, known as an artist,
a lover of culture and a great builder


The Dynasty of Anjou
From 1265 to 1480, the princes of the House of Anjou reigned , from their lands in the Loire valley, over Provence, Italy and Central Europe (Hungary). By a clever policy of alliances and marriages, the presence of the House of Anjou stretched from Anjou to the Danube. Shrewd politicians, the princes were also art lovers and the luxury of the Court of Anjou favoured rich artistic productions. Evidence of the riches of Mediaeval art, precious metal work, frescoes, paintings, illuminated texts, and statues are so many examples of the exceptional productions commissioned by the sovereigns. The period from the 12th to the 15th centuries is one of the finest in the history of art leading up to the Renaissance.

Crédit photos -  AC TarasconKing René

René Ist of Anjou, known as “the Good”, belonged to the third House of Anjou.
(Angers 1409 – Aix-en-Provence 1480, buried in the cathedral of Angers)

Duke of Anjou, of Bar (1430 –1480) and of Lorraine (1431 – 1453).
Count of Provence (1434 – 1480)
King of Naples (1438 – 1442), Titular King of Sicily (1434 – 1480) and nominal King of Jerusalem.
Anjou and Bar owed allegiance to the Crown, Lorraine, Provence and the Kingdom of Naples were completely independent, the King of France had no authority there.

The story of King René

He was the son of Louis II of Anjou and Yolande of Aragon (their marriage took place in Arles in 1400), she was “the Queen of 4 Kingdoms” (Aragon, Sicily, Cyprus and Jerusalem).
This wise and intelligent woman reigned over Anjou and Provence during the many absences of her husband and ensured the future of her five children. René was a younger son and as such, was not destined to inherit his father’s lands, that is why his mother Yolande worked to ensure an inheritance for him. She had him adopted by an uncle, the Cardinal-Duke Louis of Bar, who had no heir, as a gurantee she proposed that René would marry Isabelle of Lorraine. René then left the Duchy of Anjou to be brought up by his uncle who gave him his taste for erudition, art and chivalry.

When he was eleven yars old, he married Isabelle, daughter and heiress of Duke Charles II of Lorraine, on October 24th 1420, he fell in love with her and they had 4 children. He had to fight for the succession to the Duchy of Bar with his rival, Antoine De Vaudemont, a descendent of the House of Lorraine who claimed the right of succession and held René prisoner in the Franche-Comté. René was finally freed after long years, thanks to a large ransom, sacrifices and marriages of “reconciliation”.

He was faithful to King Charles VII who had married his sister Marie, he was present at the coronation in Rheims in 1429. Always a friend to the King, he contributed to the cessation of Franco-Anglo hostilities by his active part in the negociations of Tours and the marriage of his daughter Marguerite to Henry VI of England in 1445. He then took part in the reconquering of lost provinces.

On the death of his elder brother, Louis III of Anjou, on November 15th 1434, his succession, by right and by his desire, went to René, Duke of Bar and of Lorraine. On February 2nd, Jeanne de Duras, Queen of Sicily, willed her succession to the second son of Louis II. René, already Duke of Bar and of Lorraine, found himself Duke of Anjou, King of Sicily and of
Jérusalem*, and Count of Provence. Never had a Prince of the House of Anjou possessed such a vast and varied domain. He became a great feudal power, with a weighty destiny. Henceforth, he was always called King René or the King of Sicily. Like his father and his great grand father before him, he launched himself into the Italian adventure, where several parties had been fighting for power for two generations. The Aragons, thanks to alliances with Italians, gained ground and René finally lost his Kingdom of Naples in 1442.

From then onwards, he devoted himself to administering and developing Anjou, Lorraine and Provence. It was thus that the towns of Angers, Aix-en-Provence and Tarascon prospered, a mint was established in each town.

René travelled a lot and divided his time between his different domains, transporting furniture, tapestries, objets d’art and the wine which he produced himself at his manor of Chanzé

King René’s Sojourns in Provence

Crédit photos -  Office de tourisme / S.LARROQUEDuring the King’s first stay in Tarascon (1447 – 1449), the Dauphin Louis, future Louis XI, coming from the Dauphiné, came to visit his uncle, René of Anjou, King of Sicily and Count of Provence, in May 1447, as he wished to make the pilgrimage of Saint Madeleine to Saint Maximin and the Sainte Baume. He arrived in Tarascon where his uncle greeted him with ceremony and affection. He, of course, visited the church of Saint Martha and encouraged his uncle to carry out the project of excavations in the church of Our Lady of the Sea (Les Saintes Maries) which were carried out the following year. However, the Dauphin had also come to make an alliance with his uncle against his father King Charles VII of France, this was not possible for his uncle who had always been a faithful friend to his childhood companion. Louis XI always bore a grudge towards his uncle after this useless visit.

Although he resided in Angers, René governed Provence. In February 1447, René left Anjou, taking with him his Council and all his Household by boat up the River Loire to Roanne, from Roanne to Lyons over land, from Lyons to Tarascon by boat down the River Rhône. The voyage lasted fifteen days. He had already done it several times with less followers, on horseback from Angers to Lyons, then down river to his County. The King of Sicily and his family spent two and a half years in Provence, where he busied himself defending his County against incursions by the Aragonais. In 1447, a Spanish galleon contrived to enter the port of Marseilles;for its future defence, René decide to build a tower. Started in 1448, it was finished in 1452.

During his stay in Provence, René did his best to obtain a treaty with Alphonse of Aragon to re-establish safety for navigation and commerce on the Mediterranean. He established a truce which Alphonse refused to prolong thus causing a complete break with the monarch of Aragon. The Count of Provence had more luck with the Genoese: on August 20th 1448, a treaty was signed guaranteeing free navigation for the ships of Provence, under reciprocal conditions and the opening of the port of Genoa. René thus showed how much he wanted to bring prosperity to his subjects.

King René and Les Saintes Maries de la Mer

Crédit photos -  Office de tourisme / S.FRAISSARDAt the Dominican convent in Aix, the Dauphin Louis learned from a speech that the town of Notre Dame de la Mer (Our Lady of the Sea), possessed hidden relics of the Holy Maries. Knowing his uncle’s great veneration for the Saints, Marie-Jacobée and Marie Salomé, he encouraged him to set up a search for the relics. The pious Count went to Les saintes Maries de la Mer, questioned members of the church and listened to local traditions. Convinced of the presence of the relics of the Holy Women, King René asked Pope Nicolas V for permission to carry out the necessary search. The Pope consented by means of a Papal Bull dated August 3rd 1448 and delegated as Apostolic Commissioners, Robert Damien, Archbishop of Aix, and Nicolas de Brancas, Bishop of Marseilles. The King’s Chamberlain, the Chevalier d’Arlatan, was in charge of the work. When they dug down into the ancient oratory, situated in the centre of the church, they found the bones of Saints Marie-Jacobée and Marie-Salomé plus those of Saint Sarah. King René immediately informed the Pope of this discovery and asked him to delegate the authentification to Cardinal Pierre de Foix, Papal Legate for the Comtat Venaissin.
After numerous formalities, undertaken to prove the authenticity of the holy relics, on November 21st, Cardinal Pierre de Foix, in the church of Our Lady of the Sea, in the presence of King René, officially recognized the seals and the authenticity of the bones. A great ceremony took place, setting up a shrine to the Saints on December 2nd. On that day, the Count of Provence, King of Sicily and Jerusalem, Queen Isabelle of Lorraine, the Cardinal de Foix, Legate of Pope Nicolas V, and other important dignitaries were all present.
King René found great joy in presiding over the verification and exaltation of these relics with the Cardinal de Foix, all the bishops of the province, a great number of priests, doctors of philosophy …
The ceremonies were magnificent, King René then gave to the small town beside the sea, the name of Les Saintes Maries de la Mer, with a coat of arms showing a boat with no sails, sailing on the open sea and bearing several passengers. The account of the ceremonies presided over by the King, written on parchment, is conserved in the church archives
. René of Anjou offered the church three paintings, and two silver basins, later used to form the two reliquaries known as the Holy Arm.
Finally, a date was decided upon in perpetuity, for the ceremony commemorating this authentification.
In 1948, a ceremony presided over by Mgr. Roncalli (the future John XXIII), celebrated the five hundredth anniversary of the discovery of the relics by King René.

The health of Queen Isabelle, his wife, who remained in Anjou, later forced the King to return there urgently. After 32 years of marriage, on February 28th 1453, His wife died at the age of 43. Much affected by the death of his beloved wife, a prey to deep sadness, the King showed this in touching ways : mourning emblems, added to the paintings of the places they had most loved, and to their prayer books. The King of Sicily was much affected by the death of his wife who had always supported him during dark days (imprisonment by Philippe Le Bon, Duke of Burgundy, the problems of the Kingdom of Naples and her departure for Italy to reconquer her royal husband’s domains while he was in prison …) and her courage had helped him to defend the heritage of their ancestors.

After the death of his wife, Isabelle of Lorraine, he tried once again, but in vain, to enforce his rights to the Kingdom of Naples. He transferred the Duchy of Lorraine to his son Jean de Calabre (1453) and entrusted the administration of the Duchy of Bar to his son in law, Ferry II de Lorraine-Vaudemont (1456). On February 21st 1464, he created the latter Senechal of Anjou, then Governor and Great Senechal of Provence, he also made him his Lieutenant General in Naples and later in Catalonia where he succeeded his son, Jean d’Anjou.

A year had not elapsed before this grief-stricken widower (aged 45) married a young girl of 22 : Jeanne de Laval, daughter of Isabelle of Brittany and Guy de Laval. This second marriage was as happy as the first.

   

After his remarriage, King René gave up high politics and spent his life between the provinces he still possessed, Anjou and Provence. He busied himself with restoring economic prosperity and reforming the administration.

During another stay in Provence, in Tarascon, King René gave to his wife, known as “The Reine Jeanne”, the Barony of Les Baux, which belonged to the Counts of Provence.

On July 22nd 1461, Charles VII died, the irascible Dauphin became King, René was not fond of him (when the Dauphin came to Provence in 1448, and when he was involved in Italian affairs,in 1453, Louis had tried to get René on his side, then tried to supplant him and had failed).

René returned to Anjou in February 1462. At the Court of Charles VII, he had occupied a position of power, he knew that with his nephew, his role would be only a minor one.

After he finally lost Naples (1462-1463), René considered it vital to strengthen his County of Provence; a possession totally independent of the Crown of France.

Later, René was to lose almost all his heirs, sons and grandsons. Only a nephew, Charles, was left, who was allied with Charles Le Téméraire. It was for this reason that, on the death of René, in 1480, Louis XI took advantage to annex the Duchy of Anjou to the Kingdom of France.
Thus Louis XI constituted the unity of France but at the same time ended the glory of the Dukes of Anjou.
As he had given up all political ambitions in 1471, René organized his succession. He excluded his nephew, the King of France, Louis XI, who, furious, seized all the revenues of the Duchy of Anjou.

Shortly after, by the Treaty of Lyons (1476), King René had to agree that his possessions would revert to the French crown. King René passed away in Aix-en-Provence on July 10th 1480, bequeathing Anjou to his nephew, Charles du Maine, who died the following year in Marseilles on December 11th 1481. Charles bequeathed Provence to King Louis XI, the Rhône as a frontier was abolished, and the County of Provence like the Château of Tarascon now belonged to the Kingdom of France.

René, whose affections were grievously wounded, repeatedly betrayed by his political allies, tossed about by fortunes and events, now the victor, then vanquished or prisoner, knew the splendours of the Court of Lorraine, the friendship and fidelity of his Provençal subjects, and the merriment of his Neapolitan capital, but he was always only passing through. Much annoyed by the harrassment of his nephew, the King of France, he returned to his Duchy of Anjou and his County of Provence, where the King of Sicily and Jerusalem was to lead the life of a feudal lord and a Renaissance prince.

 

To find out more



The English episode and his daughter Marguerite:

In England, where the quarrel between Edward IV and Warwick had suddenly replaced on the throne Henry VI and the Red Rose, at Easter 1471, the White Rose fought Queen Marguerite at the bloody battle of Tewkesbury,where Warwick was killed. Marguerite was then imprisoned in the Tower of London where she joined her husband who was to be killed there, by having his throat cut. Her son, the Prince of Wales, was brought before Edward IV, he refused to recognize the latter as his sovereign, and was massacred under the eyes of his mother. Her father, King René, sent 50 000 ecus to his daughter to pay her ransom, and Louis XI, her cousin, did the same, under the condition that Marguerite cede to him her eventual rights to Lorraine, Anjou, Bar and Provence. Marguerite returned to France and, shattered by the slaughter of her husband and son, retired to Anjou.


The Catalan episode :

On the death of Don Pedro of Portugal, brought to the throne by the Catalans, after Jean II lost his throne early in 1468, the Catalans offered the throne to René because of his rights to the country by his mother Yolande of Aragon. René accepted the offer and entrusted the expedition to his son, the Duke of Calabria. René raised Gerona to a principality and gave the title to his son in 1470. His son died of illness on July 16th 1470 in Barcelona. The natural son of Jean of Anjou, the Bastard of Calabria, who was campaigning with him, then received the title by an act dated March 14th 1471 from the Government of Spanish Affairs. However, the Catalans proclaimed as King of Aragon, the only male heir of the Duke of Calabria, Nicolas, Marquis du Pont; this young prince, involved in the affairs of the Duchy of Lorraine, was in no hurry to go to Catalonia. Most of the territories won were lost within a year, Catalonia gave up to Don Juan of Aragon at the end of 1471.


  Crédit photos -   AC Tarascon

A Portrait of the King

Crédit photos -   AC TarasconDuring this violent century, the Court of Anjou was amongst the most splendid, with numerous counsellors and servants, many artists and the fêtes loved by the Valois (tournaments, balls and festivities).

The Patron of the Arts

LThe patronage of the Dukes of Anjou greatly contributed to the development of art and architecture and the stamp of Good King René can still easily be seen in Provence and in Anjou.

A lover of art, fêtes and the pleasures of the table, King René was a generous patron to artists, architects and poets.

His long stay in Naples allowed him to meet Masters of the Italian School : Coleulino del Fiore, Angelo Franco, Antonio Solario. He liked to be surrounded by writers, painters and musicians. He brought Flemish painters from Lorraine where he had known Van Eyck, from Naples, famous sculptors, from the famous Avignon School of Painting, the finest Masters of the 15th century : Nicolas Froment or Enguerrand Charton, artists who illustrated his reign. At the end of the 15th century, about 40 artists resided in Aix-en-Provence, working under contract for King René, producing works of quality and taking part in the decorations for festivities.

The King also collected illuminated manuscripts (a novelty in his period), and printed books. He encouraged early printers and acquired first editions of Cicero, Herodotus, Saint Jerome and others.

He was particularly interested in public education, he protected the university of Aix and also endowed free scholarships to the schools of Aix, Avignon and Angers. He also oversaw the production of elementary books. The education of children was of particular importance to him and he set up, in his own château of Anjou, a school where children were housed, fed and educated free of any charge.

A generous man, King René was also close to his people, he mixed with them in a familiar way and happily took part in tournaments and fêtes. He also organised them himself.


His Residences

The Palace of Aix, the Château of Tarascon, the Manor of Pertuis, the Royal House in Marseilles were all his residences. The sovereigns were particularly fond of Tarascon and often stayed in the Château built by their ancestors.

From his ancestors, he had received numerous residences which he improved and transformed sumptuously through the years. The walls, in the fashion of the 15th century, were covered by the finest tapestries, the floors, by woolen carpets and furs …In his Châteaux of Tarascon, Angers and Saumur, he had galleries built which allowed him to follow spectacles and ceremonies without leaving his apartments. These new preoccupations with pomp and ceremony are a foretaste of the Châteaux of the Renaissance.

René also loved gardens. He took a keen interest in the creation, the lay out and the upkeep of those around his residences. He was a moving force in the development of pleasure gardens at the end of the Middle Ages. A lover of floral decorations, René contributed to the beautifying of the gardens of his châteaux. Amongst the flowers he loved, he preferred carnations and roses; he was also interested in animals, he set up large aviaries, he bred horses and dogs, he even had a menagery with all sorts of wild animals (lions and leopards) in the outbuildings of the Châteaux of Angers, a flock of sheep …

In these beautiful surroundings, countless festivities and balls took place; it is well known that the Valois were passionately interested in these amusements. Mystic or more down to earth spectacles, processions were a usual part of any festivity.

The artist and man of letters

Thanks to the painters of Flanders and Lorraine that he frequented at the Court of Nancy, King René cultivated his natural talent for painting. While he was a prisoner in the Bar Tower in Dijon, he learned to draw on glass. Throughout his life, he enjoyed painting mottos, emblems, hunting scenes …
Great works were produced under his direction :” the Burning Bush” conserved in the cathedral of Aix,” the Sermon to Magdeleine”, which is in the museum of Cluny.

After his wife died, the King took up miniature painting on parchment, where he achieved a very high standard. Between wives, he painted a manuscript known as the “preces pioe” or the Book of Hours in Latin of King René. This pious work was a homage to the memory of Isabelle, he later gave it to his new wife
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Under the influence of Jeanne, King René developed his taste for nature, for country retreats, he studied letters, arts and sciences, for he was one of the most cultivated men of his time and a wise patron of the arts.

After he remarried, he finished a mystic work in prose and verse : “The Mortifying or Mortification of Vain Pleasures”, a pious dialogue between the heart and the soul. He also wrote poems in French, Italian and even in Provençal, rondeaus, fables, comedies, dialogues, and even a few satires.

He also wrote an allegory “The Loving Heart”, magnificently illustrated by the illuminations of Van Eyck and conserved at the National Library of Vienna.

As time passed, his taste for letters and arts grew; He devoted his talent to decoration : painting emblems, arms, mottos, hunting scenes and rustic scenes.

René was one of the most all rounded minds of his period, he spoke Latin, Greek, Hebrew, Italian and Catalan. He played and composed music, wrote poems, was interested in theology, astronomy, mathematics and medecine. He was also particularly interested in geography and in the law
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